ANALISI MOTIF DAN SIMBOL SARUNG ADAT TENUN (SENG BULU) KECAMATAN PANTAR TENGAH KABUPATEN ALOR
Keywords:
Traditional Sarong Motifs, Seng Bulu Weaving, Central Pantar DistrictAbstract
This research aims to explore the symbolic and social meanings of seng bulu woven fabric used by the community in Pantar Tengah Sub-district, Alor Regency, as part of a rich cultural heritage. Through interviews with craftsmen and direct observation of the fabric-making process, this research reveals that seng bulu fabric not only functions as traditional clothing, but also has a deep symbolic value in the social life of the local community. The fabric is used in various traditional ceremonies, such as weddings and deaths, as well as being a symbol of social status that reflects a close relationship with nature and the community. The motifs found on the seng bulu cloth, such as the large flower motif (nanas Mai) and the small flower motif (nasi laki), have meanings associated with abundance, fertility, harmony and togetherness. In addition, colours such as red and black in this fabric contain symbols of courage, strength, and respect for ancestors. The process of making seng bulu cloth, which involves complex stages from yarn selection to weaving, demonstrates traditional skills and knowledge passed down through generations. The results of this study confirm that seng bulu cloth is not just a textile, but a symbol of cultural identity that continues to be valued and preserved by the people of Pantar.
References
Budi, R. (2015). Kebudayaan dan Keberagaman di Indonesia. Yogyakarta: Penerbit Kanisius.
Bahar, R. (2013). Identitas Budaya dalam Kain Tradisional Indonesia. Jakarta: Institut Seni Indonesia.
Creswell, J. W. (2014). Research Design: Qualitative, Quantitative, and Mixed Methods Approaches. Thousand Oaks: SAGE Publications.
Geertz, C. (1973). The Interpretation of Cultures. New York: Basic Books.
Herawati, N. (2018). Simbolisme Kain Adat dalam Upacara Tradisional. Bandung: Penerbit Alfabeta.
Koko, Z. (2018). Pelestarian Kain Tenun Seng Bulu di Pantar Tengah, Alor. Wawancara Mendalam.
Koentjaraningrat. (2009). Pengantar Antropologi Indonesia. Jakarta: Rineka Cipta.
Nugraha, M. (2016). Peran Seni Tekstil dalam Pembentukan Identitas Budaya. Makassar: Universitas Hasanuddin Press.
Maulani, D. (2012). Simbolisme dalam Pakaian Adat Indonesia. Bandung: Refika Aditama.
Yunus, M. (2014). Kain Tradisional sebagai Warisan Budaya Indonesia. Jakarta: Komunitas Bambu.
Martono, S. (2011). Upacara Adat dan Tradisi di Nusa Tenggara Timur. Kupang: Nusa Cendana Press.
Pelly, C. (2009). Kebudayaan Laut dan Pertanian di Nusa Tenggara Timur. Yogyakarta: Universitas Gadjah Mada Press.
Petrus Mau Tellu Dony (2023), Sejarh pemerintahan Mataru Selatan Kecamatan Mataru Kebupaten Alor AFADA: jurnal pengabdian pada masyarakat. https://jurnal.iaihnwpancor.ac.id/index.php/afada/article/view/11502986-0997
Petrus Mau Tellu Dony, Dkk. (2025). Sejarah Pemerintahan Desa Padang Panjang Kecamatan Alor Timur Kabupaten Alor
Petrus Mau Tellu Dony, Dkk. (2025). Sejarah Suku Katefangwa Beserta Maknanya Di Desa Tasi Kecematan Lembur Kabuaten Alor
Petrus Mau Tellu Dony, Dkk. (2025).Sejarah Pembuatan Mesbah Atau (Dor) Di Kelurahan Moru Kecamatan Alor Barat Daya Kabupaten Alor
Petrus Mau Tellu Dony Dkk, (2025) Keberagaman Kehidupan Masyarakat Desa Lakwati Kecamatan Alor Tengah Utara Kabupaten Alor
Siahaan, S. (2015). Motif dan Simbolisme dalam Kain Tradisional. Jakarta: Pustaka Media.
Sutrisno, H. (2016). Pemaknaan Motif pada Kain Tenun di Indonesia. Jakarta: LIPI Press.
Sutopo, H. B. (2019). Metode Penelitian Kualitatif: Prinsip dan Aplikasi. Semarang: Badan Penerbit Universitas Diponegoro.
Wahid, A. (2017). Pengaruh Pakaian Tradisional terhadap Kehidupan Sosial Masyarakat. Surabaya: PT Gramedia.








